Okay, to be clear, nobody likes puns. The only thing you can do with a pun is love to hate it, right? Like, you groan but you laugh.
[This clearly makes sense to Karen. Or at least to the filterless, rambling version of her brought about by the aftermath of her unfortunate evening. It might be a bit of compartmentalization as well.
Her brow furrows, and she lapses into a thoughtful silence for a moment.]
Hmm. Maybe more a combination of genuineness and cleverness? So it could be a pun or something poetic or a - really good speech or a line from a song. If it's real and it's smart, it's definitely appealing.
I can like and hate something at the same time. I'm very complex.
[Karen manages to deliver most of the sentiment seriously, though she does trail off into a laugh towards the end. Once he parks the car, she reaches over to set the bag of food down on the center console so she'll be able to navigate her way out of the seat one armed. And then he distracts her with that comment about music, turning to give him an amused look.]
Wait, what kind of music do you like? Because that could mean anything from experimental jazz to...death metal.
[He asks and motions for her to stay put, getting out of the car first and coming round to help her with her seatbelt and easing her out of the car. He grabs the bag of food with one hand and loops the other around her waist again.]
[Karen gives him a serious, contemplative look, as if assessing to determine whether or not he's a death metal fan. Finally, with a grin, she declares,] nope.
[She can only be who she is, so she's still trying (and failing) to navigate the process of getting out of the car before he appears at the door to help. She thanks him, leaning in against him as they make their way toward her building. There's a thoughtful hum as she considers British music from the 60s.]
I mean, The Beatles are a given, everyone likes The Beatles. Hmm...I could see you as a secret punk, so maybe like. The Yardbirds and The Kinks, too.
[Karen nods along, looking pleased with his choices.] Who could forget David Bowie? [She sounds almost indignant about it.
And then she idly sings the opening lines of Heroes as she fishes through her purse one handed in search of her keys. She has a surprisingly good singing voice, clear like a bell, with a tone that seems suited to jazz. Her brow furrows and she trails off, but finally finds the keys and lets them both in to her apartment. It's undeniably a relief to be home.]
[Karen apparently doesn't even realize she'd been doing it, if one were to judge by the fact that she's just immediately putting down her things and stepping out of her shoes to nudge them out of the way by the door.]
I'm going to put myself at the table, if you want to join me.
[She flips on some of the lights as she leads the way in, and then sits down in one of the chairs at the island. As they get the food unpacked, she remembers her threat/promise regarding the fries and shakes, and with a grin, she dunks on of the fries in and offers it to him to take a bite. With the flavor of the ice cream, you can't really taste the potato in the fry - it's just a contrast of hot and cold, sweet and salty.]
[The way he looks at the milkshake french fry you'd think she just offered him a giant grub on a stick or something but after looking at her carefully he sighs and takes the offered bite.]
Mnngh.
[He says and then shakes his head, swallowing it down with a grimace.]
[Karen's lips press together, the glimmer of mirth in her eyes making it clear that she's deeply entertained by what's happening.
That grimace, paired with his response, prompts another laugh, and she lets her hand rest on his forearm, giving it a squeeze.]
You totally get points for trying, though. Want to try a bite of a burger?
[She takes another fry, and gives it a liberal swirl in the milkshake before taking a bite of her own. It's clear that by contrast she definitely enjoys the flavor combo.]
[Her indigence is poorly feigned, largely because she still looks amused. And also because she's already determinedly stirring another fry into her shake with her free hand.]
Have I told you lately that you're ridiculously charming?
[Karen is always compulsively honest, but that's definitely bordering on unthinkingly honest. With a smile, she swaps her fry abominations so she can polish off one of the sliders.]
[Karen's grinning even as she makes her argument, even though she plainly thinks that it's very convincing. After a moment, she continues more seriously.]
I'm still not used to people...turning up on purpose, I guess. So it really does mean a lot. [Which is much more than she'd ever say without the painkillers.]
[Karen considers the question for a moment - it's not something she usually talks about. But she's been trying to be more open about it, in recent years. And moreover, he deserves to know what exactly she means when she says her life has been a mess for a long time.]
No, it's okay. Uh, my mother died when I was 16, and he just kind of...checked out, you know. He's been in a fog since then. My brother and I were running the diner, but it wasn't exactly turning a profit. So I, uh, started selling coke for my ex. He was a real piece of shit, but I was just an absolute asshole. Anyway, my brother got into it with my ex one night. You know, trying to look out for me. I took off with my ex, we were drinking and getting high, and when we got back to his trailer, Kevin had set it on fire.
[Karen gives him a sad little smile at that.]
My ex went after him, so I shot him in the shoulder and got my brother out of there, but I was driving and I had no business driving. I flipped the car. Kevin died and it was my fault. I don't even blame my father for kicking me out, but uh, yeah. I haven't been back home since then. I couldn't even go to his funeral.
[Alfred listens quietly but exhales long and low at the news of her brother dying so violently, his eyes growing sympathetic and concerned.]
Sounds like a bloody mess all over, I'm sorry about your brother and father. I can see why you haven't been back home at all, with so many ghosts I wouldn't either.
no subject
No, but please tell me more. Are you saying you like puns or more that eloquent, poetic language gets you going?
no subject
[This clearly makes sense to Karen. Or at least to the filterless, rambling version of her brought about by the aftermath of her unfortunate evening. It might be a bit of compartmentalization as well.
Her brow furrows, and she lapses into a thoughtful silence for a moment.]
Hmm. Maybe more a combination of genuineness and cleverness? So it could be a pun or something poetic or a - really good speech or a line from a song. If it's real and it's smart, it's definitely appealing.
no subject
[He teases and turns the car into a parking spot that is about a block from Karen's place.]
I'll have to keep that in mind, although I don't know if I'd be able to pick a line from a song considering my musical taste.
no subject
[Karen manages to deliver most of the sentiment seriously, though she does trail off into a laugh towards the end. Once he parks the car, she reaches over to set the bag of food down on the center console so she'll be able to navigate her way out of the seat one armed. And then he distracts her with that comment about music, turning to give him an amused look.]
Wait, what kind of music do you like? Because that could mean anything from experimental jazz to...death metal.
no subject
[He asks and motions for her to stay put, getting out of the car first and coming round to help her with her seatbelt and easing her out of the car. He grabs the bag of food with one hand and loops the other around her waist again.]
I like a lot of British music from the 60's.
no subject
[She can only be who she is, so she's still trying (and failing) to navigate the process of getting out of the car before he appears at the door to help. She thanks him, leaning in against him as they make their way toward her building. There's a thoughtful hum as she considers British music from the 60s.]
I mean, The Beatles are a given, everyone likes The Beatles. Hmm...I could see you as a secret punk, so maybe like. The Yardbirds and The Kinks, too.
no subject
[He says as he helps guide her to the door, waiting for her to get her keys out.]
no subject
And then she idly sings the opening lines of Heroes as she fishes through her purse one handed in search of her keys. She has a surprisingly good singing voice, clear like a bell, with a tone that seems suited to jazz. Her brow furrows and she trails off, but finally finds the keys and lets them both in to her apartment. It's undeniably a relief to be home.]
no subject
All right, where should I put you? Table or couch?
no subject
I'm going to put myself at the table, if you want to join me.
[She flips on some of the lights as she leads the way in, and then sits down in one of the chairs at the island. As they get the food unpacked, she remembers her threat/promise regarding the fries and shakes, and with a grin, she dunks on of the fries in and offers it to him to take a bite. With the flavor of the ice cream, you can't really taste the potato in the fry - it's just a contrast of hot and cold, sweet and salty.]
no subject
Mnngh.
[He says and then shakes his head, swallowing it down with a grimace.]
Nope.
No.
You're a lovely bird but that's awful.
no subject
That grimace, paired with his response, prompts another laugh, and she lets her hand rest on his forearm, giving it a squeeze.]
You totally get points for trying, though. Want to try a bite of a burger?
[She takes another fry, and gives it a liberal swirl in the milkshake before taking a bite of her own. It's clear that by contrast she definitely enjoys the flavor combo.]
no subject
[He tries the burger next and seems a little less put off by it.]
That's not awful, despite the horrible name but I think I'll just stick to my own fries and milkshake. Not combined.
no subject
[Her indigence is poorly feigned, largely because she still looks amused. And also because she's already determinedly stirring another fry into her shake with her free hand.]
I do appreciate that you tried it though.
no subject
[He says, popping a fry into his mouth with a little grin.]
Especially if it's something you like.
no subject
[Karen is always compulsively honest, but that's definitely bordering on unthinkingly honest. With a smile, she swaps her fry abominations so she can polish off one of the sliders.]
no subject
[Charming and full of cheek.]
So if you feel like telling me right now I won't stop you.
no subject
Truly, ridiculously charming. It means a lot to me that you came tonight.
no subject
Course I came, I'm not about to let you fend for yourself when you're injured and loopy on drugs.
no subject
[Karen's grinning even as she makes her argument, even though she plainly thinks that it's very convincing. After a moment, she continues more seriously.]
I'm still not used to people...turning up on purpose, I guess. So it really does mean a lot. [Which is much more than she'd ever say without the painkillers.]
no subject
no subject
no subject
no subject
No, it's okay. Uh, my mother died when I was 16, and he just kind of...checked out, you know. He's been in a fog since then. My brother and I were running the diner, but it wasn't exactly turning a profit. So I, uh, started selling coke for my ex. He was a real piece of shit, but I was just an absolute asshole. Anyway, my brother got into it with my ex one night. You know, trying to look out for me. I took off with my ex, we were drinking and getting high, and when we got back to his trailer, Kevin had set it on fire.
[Karen gives him a sad little smile at that.]
My ex went after him, so I shot him in the shoulder and got my brother out of there, but I was driving and I had no business driving. I flipped the car. Kevin died and it was my fault. I don't even blame my father for kicking me out, but uh, yeah. I haven't been back home since then. I couldn't even go to his funeral.
no subject
Sounds like a bloody mess all over, I'm sorry about your brother and father. I can see why you haven't been back home at all, with so many ghosts I wouldn't either.
(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:wow pardon my wild unclosed italics in that last reply
From:no worries :)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:ooc: shall we end here?
From:(no subject)
From:(no subject)
From:(no subject)
From: